Honorable Mention: Slide Identifies an Opportunity in Mudslides

In a region prone to natural and anthropogenic disasters, Rios Clementi Hale Studios formulates an idea to stabilize steep terrain.

2 MIN READ

courtesy Rios Clementi Hale Studios

In Southern California, sea level rise is only one cause for concern. The region’s increasingly disastrous cycle of drought, fires, and floods is another, with each phase bringing immediate dangers. Collectively, they contribute to catastrophic mudslides and erosion, particularly in the steep hillsides and canyons that run just north of Los Angeles.

The conventional response of situating enormous catch basins at the foot of each canyon to catch debris is inefficient, environmentally unfriendly, and at the end of their 50-year life. Rather than rebuild them, Los Angeles–based Rios Clementi Hale Studios has proposed a different approach: Slide, a series of chevron-shaped, steel-frame gabion cages that anchor into hillsides. When the chevrons point uphill, the cages, filled with rubble for ballast, deflect and slow debris; when they point down, they act as miniature catch basins, slowly filling with dirt and rock.

courtesy Rios Clementi Hale Studios

courtesy Rios Clementi Hale Studios

courtesy Rios Clementi Hale Studios

An array of these cages on a hillside creates “a game of Plinko,” says firm principal and architecture studio director Gregory Kochanowski, AIA. “It works like a system, steering debris down the hill.” While some debris will invariably make it to the bottom, the cages will at least interrupt the destructive snowballing of material—and change the shape of hills themselves. Over time, debris caught in the Slide basins will level out the steep topography, creating terraces from which vegetation will sprout and ultimately stabilize the eroding hillside. The terraces, Kochanowski notes, can also provide respite for firefighters struggling up the canyons’ steep slopes to reach wildfires.

courtesy Rios Clementi Hale Studios

Though still only a proposal, Slide is ingeniously simple, which appealed to the jury. “It’s incredibly functional,” says juror Carrie Strickland, FAIA. “It doesn’t seem like something that is cost-prohibitive, and it will be attractive.” And with climate change already reshaping the world, rapidly deployable countermeasures—even in the concept phase—are welcomed.

Five years after the micro-basins are installed, Rios Clementi Hale Studios envisions a canyon transformed into a “landscape machine” that can handle debris flow and host new recreational, agricultural, and research opportunities.

courtesy Rios Clementi Hale Studios

Five years after the micro-basins are installed, Rios Clementi Hale Studios envisions a canyon transformed into a “landscape machine” that can handle debris flow and host new recreational, agricultural, and research opportunities.

courtesy Rios Clementi Hale Studios


Project Credits
Project: Slide
Location: California
Architect: Rios Clementi Hale Studios, Los Angeles . Mark Rios, FAIA (creative director); Gregory Kochanowski, AIA (project lead); Brent Jacobsen, Jennifer Schab, AIA, Chris Torres, Catherine Schy-Reibel (project team)
Landscape Architect: Rios Clementi Hale Studios . Brent Jacobsen

About the Author

Clay Risen

Clay Risen is an editor at The New York Times op-ed section and the author, most recently, of The Bill of the Century: The Epic Battle for the Civil Rights Act (Bloomsbury Press, 2014). Along with regular articles for the Times, his freelance work has appeared in publications like Smithsonian, Metropolis, Fortune, and The Atlantic. Risen returns to the ARCHITECT fold after a brief hiatus, during which he wrote American Whiskey, Bourbon & Rye: A Guide to the Nation’s Favorite Spirit (Sterling Epicure, 2013). In the past, he has covered the legacies of critics Ada Louise Huxtable and Herbert Muschamp for ARCHITECT, as well as written criticism of his own about an interpretive center addition to the Vietnam Veterans Memorial in Washington, D.C., social housing built in interwar Germany, and how to fix the Pritzker Prize on the eve of that award’s 30th anniversary.

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