2015 AL Light & Architecture Design Awards Postscript

The 2008 recession has left its fingerprints on many of the projects entered in this year’s Design Awards.

2 MIN READ
An aerial view of Pier One, which is part of Brooklyn Bridge Park along the East River.

John Bartelstone

An aerial view of Pier One, which is part of Brooklyn Bridge Park along the East River.

One of the more interesting themes that emerged in reviewing this year’s entries for the AL Light & Architecture Design Awards was the number of projects that were impacted by the 2008 recession and how the downturn interrupted design, development, and construction. For those projects that were lucky enough to restart when the economy turned, they did so during lighting’s transformation from non-LED to LED light sources.

Two projects that best illustrate this are the Brooklyn Bridge Park and the tower-top lighting for 731 Lexington Avenue in New York. In the case of the park, lighting design firm Domingo Gonzalez Associates first started design work in 2004. At the time, linear fluorescent and ceramic metal halide lamps were the best options for the 85 acres of industrial waterfront along the East River being transformed into a public green space. As design continues today, through the project’s later phases, the lighting is incorporating LED fixtures.

Another example of how lighting’s technological transformation has impacted design can be seen in the tower-top illumination for 731 Lexington Avenue. In this instance, the client went back to the lighting designers who had done the original work in the early 2000s, Cline Bettridge Bernstein Lighting Design (CBBLD), and asked them to update the cold-cathode lighting system with color-changing LEDs. Here, there were a couple of significant challenges: how to use the existing tower-top infrastructure to incorporate new equipment and how to maintain the look and feel of the original cross fade of white light as the 55-story tower comes to life at dusk. CBBLD re-created this effect while adding color-changing and dynamic motion functionality so that the building owner can now illuminate the tower to coordinate with different holiday seasons.

It is unlikely that we will see another generation of projects so doubly impacted by economic and technology forces.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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