Light Calculations

Accept & Proceed's annual set of Light Calendars has become a graphic design tour de force.

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Light Calendar 2016 depicting the Hours of Dark

Courtesy Accept & Proceed

Light Calendar 2016 depicting the Hours of Dark

Developed a decade ago as an in-house exercise by London-based design studio Accept & Proceed, the annual set of Light Calendars has become a graphic design tour de force. Using astronomical data specific to London (and gathered from timeanddate.com), the A1-sized black-and-white prints are created in pairs—one represents the hours of light in a given year and the other represents the hours of darkness. The studio applies a different “filter” for disseminating the information each year that also allows for different printing techniques and papers. For the 2016 calendars (shown) lines of varying thicknesses represent each day and hours of light–and dark.

Light Calendar 2016 depicting the Hours of Light

Courtesy Accept & Proceed

Light Calendar 2016 depicting the Hours of Light


“We regularly undertake personal studio projects, that realize our own interests and passions. It allows us to enhance our skills in print production, conceptual design and obviously the practice of making real our ideas,” says Accept & Proceed’s creative director Matthew Jones. “It’s both a labor of love and an ongoing exploration of looking at the world from a different perspective, appreciating the small things, celebrating them – purposefully and slicing through the clutter that’s rife in this world.” This past November, a retrospective of the Light Calendars was on view in London.

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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