Tech Trends: Color Quest

The establishment of a perfect set of color metrics has been the lighting industry’s holy grail.

2 MIN READ

Color has always been a significant topic in lighting. It’s a complicated and nuanced issue that at its core is shaped by no fewer than eight key concepts: constancy, temperature, rendering, difference, appearance, shift and stability, colorfulness, and matching. The industry’s current primary color metric, the Color Rendering Index (CRI), isn’t perfect but it has served as the closest way of addressing the issue.

But with the introduction of LEDs, color has become even more important, and the industry has been looking for a way to establish a measurement system that better corresponds to the characteristics of LED light. In the mid-2000s, one attempt to address the problem was creation of the Color Quality Scale (CQS), but that never really took off. This past fall, a major step was made toward providing a more comprehensive way of evaluating color with the release of TM-30-15, IES Method for Evaluating Light Source Color Rendition. The new metric proposes 99 color-evaluation samples, as opposed to the much-smaller batch of 14 currently used by CRI. That said, this new system still has areas, such as the computation of the reference luminance and fidelity, where there is room for further clarification, notes Kevin Houser, professor of architectural engineering at Penn State University and one of TM-30’s authors. To help you better understand the new TM-30 color metric, Houser has set up a website where you can find more information: personal.psu.edu/kwh101/TM30/main.htm

The word is still out on TM-30. Some companies, such as Xicato and Soraa, have already started incorporating TM-30 data in their product spec sheets. Others, such as Philips, Osram, and GE Lighting, have voiced concerns, as has the Lighting Research Center in Troy, N.Y. To be sure, TM-30 will be one of the key buzzwords at Lightfair this year as the industry determines if this new metric will lead to a better way to evaluate color. •

About the Author

Elizabeth Donoff

Elizabeth Donoff is Editor-at-Large of Architectural Lighting (AL). She served as Editor-in-Chief from 2006 to 2017. She joined the editorial team in 2003 and is a leading voice in the lighting community speaking at industry events such as Lightfair and the International Association of Lighting Designers Annual Enlighten Conference, and has twice served as a judge for the Illuminating Engineering Society New York City Section’s (IESNYC) Lumen Award program. In 2009, she received the Brilliance Award from the IESNYC for dedicated service and contribution to the New York City lighting community. Over the past 11 years, under her editorial direction, Architectural Lighting has received a number of prestigious B2B journalism awards. In 2017, Architectural Lighting was a Top Ten Finalist for Magazine of the Year from the American Society of Business Publication Editors' AZBEE Awards. In 2016, Donoff received the Jesse H. Neal Award for her Editor’s Comments in the category of Best Commentary/Blog, and in 2015, AL received a Jesse H. Neal Award for Best Media Brand (Overall Editorial Excellence).Prior to her entry into design journalism, Donoff worked in New York City architectural offices including FXFowle where she was part of the project teams for the Reuters Building at Three Times Square and the New York Times Headquarters. She is a graduate of Bates College in Lewiston, Me., and she earned her Master of Architecture degree from the School of Architecture at Washington University in St. Louis.

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