Citation: Buoyant Ecologies Float Lab Aims to Save Communities Above and Below Water

To preserve and promote indigenous marine life, the Architectural Ecologies Lab at the California College of the Arts turned to the phenomenon of biofouling.

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Buoyant Ecologies Float Lab

Adam Marcus

Buoyant Ecologies Float Lab

“The research that this team took was in-depth, interdisciplinary, multidisciplinary, and collaborative. That and how they displayed the results over time was over-the-top impressive.” — Juror Randy Deutsch, AIA

Climate change and coastal erosion are growing challenges to waterfront communities, and not just human ones: Rapidly changing ecosystems are wiping out indigenous plant and animal habitats. In an effort to combat this loss, the Architectural Ecologies Lab (AEL) at the California College of the Arts (CCA), in San Francisco, turned to a bane of many boat owners: biofouling.

Though biofouling, the phenomenon in which surfaces placed underwater will quickly attract plankton, fish, and other sea life, can slow down boats and eat away at structures, AEL leveraged it into an approach to replenishing coastal ecosystems, creating the Buoyant Ecologies Float Lab.

Section and plan, Buoyant Ecologies Float Lab

Adam Marcus

Section and plan, Buoyant Ecologies Float Lab

Parametric design guided the Float Lab's geometry, evaluating characteristics as localized rugosity, or surface variation, and quantitative metrics, like displacement volume and weight.

Adam Marcus

Parametric design guided the Float Lab's geometry, evaluating characteristics as localized rugosity, or surface variation, and quantitative metrics, like displacement volume and weight.

According to CCA associate professor of architecture Adam Marcus, AIA, the idea grew out of a partnership with Autodesk Pier 9, the fabrication and innovation center of the software company. Autodesk asked Marcus, his co-instructors and CCA adjunct professors Margaret Ikeda and Evan Jones, and their students to design a floating building that could sit just offshore from its center, across the Embarcadero. But during their research, the students became fascinated with how the structure would look below the waves, and whether a design that mimicked natural underwater surfaces could better promote aquatic life.

AEL worked with scientists at the Moss Landing Marine Laboratories, in Moss Landing, Calif., to develop a vocabulary of eco-friendly shapes and geometries; and with Kreysler & Associates, a composite-materials fabricator based near Napa, Calif., to build a set of 2-foot-square, fiber-reinforced polymer plates. Made of the same high-performance material used for sailboat hulls, the structures are noncorrosive and strong enough to float for decades without degradation. As the team experimented with different shapes, testing nearly two dozen prototypes since 2015, they discovered that flat-bottom surfaces tended to promote homogeneous populations, meaning whichever plant and fish species already dominated the surrounding waters. By increasing the surface area with the addition of irregular swells and valleys, the team could promote a wider variety of plant and animal life. For example, narrow valleys provide refuge for small fish, away from predators.

Tracking biofouling on three prototypes—dubbed the juicer, mounds, and pyramids—against time.

Dan Gossard

Tracking biofouling on three prototypes—dubbed the juicer, mounds, and pyramids—against time.

Since 2015, the team has tested full-scale, fiber-reinforced polymer composite prototypes

Dan Gossard

Since 2015, the team has tested full-scale, fiber-reinforced polymer composite prototypes

Variable topographies fostered dense communities of marine invertebrates

Adam Marcus

Variable topographies fostered dense communities of marine invertebrates

Within a few days of placing two of these prototypes in the water, diaphanous green algae had attached themselves to the undersides, creating “a hanging, underwater forest,” Marcus notes. The plates’ undulating above-water surfaces were also critical, channeling rainwater into small depressions that became artificial tidal pools.

As an added benefit, the structures act as wave-attenuation devices—an “artificial mangrove,” Marcus says. Scaled up, he says, “We imagine they could be connected in a chain, like a necklace just offshore to act as a breakwater.”

This fall, Marcus, Ikeda, and Jones will launch a full-size prototype into the San Francisco Bay. Out of the water, the approximately 14-foot-long by 9-foot-wide and 5-foot-thick (on average) plastic float is a manifestation of advanced computer modeling. But in the water, the futuristic buoy will become an inviting home for a diverse range of aquatic flora and fauna.

Courtesy Architectural Ecologies Lab

Float Lab's topography is engineered to channel rainwater and produce watershed pools for intertidal or terrestrial habitats

Mike Campos

Float Lab's topography is engineered to channel rainwater and produce watershed pools for intertidal or terrestrial habitats

Adam Marcus

Project Credits
Project: Buoyant Ecologies Float Lab
Design Firm: Architectural Ecologies Lab, California College of the Arts, San Francisco . Adam Marcus, AIA, Margaret Ikeda, Evan Jones, Taylor Metcalf, Georine Pierre, Jared Clifton (project team)
Research Partners: Benthic Lab; Moss Landing Marine Laboratories . John Oliver, Kamille Hammerstrom, Daniel Gossard
Fabricator: Kreysler & Associates
Naval Architecture & Engineering: Tri-Coastal Marine . Andrew Davis
Funding: Miranda Leonard, Kreysler & Associates, Ashland, Autodesk Pier 9 Workshop, Port of Oakland
Special Thanks: Jonathan Massey, AIA, Lisa Findley, Stephen Beal, Tammy Rae Carland, Karen Weber
Size: 120 square feet

Note: This article has been updated since first publication to correct the location of California College of the Arts’ graduate campus and to feature additional collaborators in the project.

About the Author

Clay Risen

Clay Risen is an editor at The New York Times op-ed section and the author, most recently, of The Bill of the Century: The Epic Battle for the Civil Rights Act (Bloomsbury Press, 2014). Along with regular articles for the Times, his freelance work has appeared in publications like Smithsonian, Metropolis, Fortune, and The Atlantic. Risen returns to the ARCHITECT fold after a brief hiatus, during which he wrote American Whiskey, Bourbon & Rye: A Guide to the Nation’s Favorite Spirit (Sterling Epicure, 2013). In the past, he has covered the legacies of critics Ada Louise Huxtable and Herbert Muschamp for ARCHITECT, as well as written criticism of his own about an interpretive center addition to the Vietnam Veterans Memorial in Washington, D.C., social housing built in interwar Germany, and how to fix the Pritzker Prize on the eve of that award’s 30th anniversary.

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